Lewis Capaldi has announced a huge gig in Leeds next year as part of his upcoming UK and European tour.
The Scottish singer will be tackling a massive 31-date arena tour, including a night at the First Direct Arena in January.
He also confirmed a new album is finally on the way, with Broken By Desire to be Heavenly Sent set for release on 19 May 2023.
The Someone You Loved songwriter recently made his long-awaited return to music with the release of single Forget Me, which marked his third UK number one.
Now approaching 100 million streams, the song also came with a music video that exactly re-enacts Wham's 1983 hit Club Tropicana, shot-for-shot.
Album artwork for Lewis Capaldi's new album, Broken By Desire To Be Heavenly Sent. Credit: Publicity picture
His debut album was the biggest-selling album of both 2019 and 2020 - seriously, this man knows how to make a hit.
His mission with his second album is, apparently, to do the same thing again.
He said: “I don't want to create a new sound for myself, or reinvent myself.
"The songs I want to write are emotional songs, about love or loss."
Lewis recorded the new album with a small set-up of a small interface, laptop, speakers, and a Shure SM7B vocal mic.
He said: "I felt like I was sounding better because I was just chilled out in my own gaff. Also, a lot of this record was made with most of the same people who I worked with on the first one: TMS, Phil Plested, Nick Atkinson and Edd Holloway. At least one of them's on almost every song."
Broken By Desire to be Heavenly Sent is due for release on 19 May 2023.
Tickets for Lewis Capaldi's tour will go on pre-sale on 26 October, and general sale on 28 October.
Full Lewis Capaldi 2023 tour dates
JANUARY Sat 14th Leeds, First Direct Arena Mon 16th Sheffield, Utilita Arena Wed 18th Manchester, AO Arena Thu 19th Liverpool, M&S Bank Arena Sat 21st Newcastle, Utilita Arena Mon 23 Aberdeen, P&J Live Tue 24th Glasgow, OVO Hydro Thu 26th Birmingham, Utilita Arena Fri 27th Nottingham, Motorpoint Arena Sun 29th Belfast, SSE Arena Mon 30th Dublin, 3Arena
FEBRUARY Wed 1st Cardiff, International Arena Thur 2nd Exeter, Westpoint Arena Mon 13th Warsaw, Torwar - Poland Tue 14th Vienna, Stadthalle - Austria Thu 16th Berlin, Mercedes-Benz Arena - Germany Fri 17th Prague, O2 Arena - Czech Republic Sun 19th Hamburg, Barclays Arena - Germany Tue 21st Frankfurt, Festhalle - Germany Thu 23rd Antwerp, Sportpaleis - Belgium Sat 25th Amsterdam, Ziggo Dome - Netherlands Sun 26th Paris, Accor Arena - France Tue 28th Cologne, Lanxess Arena - Germany
MARCH Thu 2nd Copenhagen, Royal Arena - Denmark Fri 3rd Oslo, Spektrum - Norway Sun 5th Stockholm, Avicii Arena - Sweden Tue 7th Zurich, Hallenstadion - Switzerland Wed 8th Milan, Mediolanum Forum - Italy Fri 10th Barcelona, Palau Sant Jordi - Spain Sat 11th Madrid, WiZink Center - Spain Tue 14th Stuttgart, Schleyerhalle - Germany Wed 15th Munich, Olympiahalle - Germany
Featured image: Alexandra Gavillet
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No Greek Tragedy, just indie bangers – The Wombats set Leeds’ First Direct Arena alight
The Wombats aren’t just still going strong - they’re getting better. And honestly? Long may they reign.
The Wombats absolutely tore the roof off the First Direct Arena in Leeds last night, Wednesday 26 March and what a night it was.
From the second they hit the stage it wasn’t just a gig, it was a full-blown indie-pop spectacle, packed with infectious energy, nostalgia, and a whole lot of dancing.
They kicked things off with “Moving to New York,” and honestly? The crowd was in from the first note.
Image: The Hoot Leeds
Matthew Murphy’s unmistakable vocals rang through the arena and suddenly, thousands of people were screaming every lyric like it was 2007 all over again. It was one of those moments where you could just feel how much this band still means to people.
Despite the massive venue, The Wombats somehow made it feel intimate. The lights? Pure chaos in the best way - vibrant, colourful, and totally in sync with the band’s wild, bouncy sound.
Murphy’s cheeky banter between songs made it feel less like a polished arena show and more like a jam session with a few thousand of your closest mates.
Setlist-wise, they nailed it. “Let’s Dance to Joy Division” and “Greek Tragedy” had the whole place losing it, while the stripped-down version of “Techno Fan” gave everyone a minute to breathe (and maybe get a little emotional).
Image: The Hoot Leeds
Those quieter moments just made the high-energy choruses hit even harder. It was a rollercoaster - in the best way possible.
Then came the encore. If you thought the crowd was loud before, “Kill the Director” took things to another level. Pure, chaotic indie bliss. The kind of moment you don’t want to end.
Here’s the thing about The Wombats: some might say their older songs hit harder than their newer stuff, but is that just nostalgia talking? Or maybe it’s a generational thing?
Either way, they proved they’re still one of the most exciting live bands out there. They’ve still got the hooks, the humour, and the ability to turn a massive arena into a sweaty, euphoric singalong.
Mumford & Sons add new Leeds show at the First Direct Arena to sell out UK tour
Clementine Hall
Two new arena dates have been added to their forthcoming UK tour, after selling out the entire run within two hours.
Ahead of dropping their fifth studio LP Rushmere at the end of the month, the cult favourite folk-rock outfit announced a brand-new European tour in support of the record, including a limited UK leg.
The now sold-out arena run starts in Europe in November before now arriving in Leeds on Sunday 30 November.
The significance of the band’s return can be found in the title of the new album, as Rushmereis the spot where it all began for the boys: a pond located on Wimbledon Common in south-west London where Marcus Mumford, Ben Lovett and Ted Dwane first hung out.
However, the multi-award-winning acoustic-driven British rockers and folk revivalists are now a trio following the departure of Winston Marshall, who quit the band back in 2021 following controversies surrounding his right-wing beliefs.
Image: Supplied
With that in mind, it’s rather fitting that they have insisted that beyond just a place and a title, Rushmere is alsothebeginning of a new phase.
Following an intense period of creativity, the project was produced by fellow nine-time Grammy winner Dave Cobb and recorded at the famous RCA Studio A in Nashville, as well as in Savannah, Georgia and back home at Marcus’ studio in Devon.
The album itself drops on this Friday 28 March and judging by the little that we’ve heard so far, they’ve been well worth the wait.
As for the arena show, tickets will go on sale this Thursday 27 March at 10am.
Best of all, they’re donating £1 from every ticket sold straight to War Child UK – this sort of stuff should be standard for any big act as far as we’re concerned.