Harry Styles has beaten Adele, Lizzo, Kendrick Lamar, Beyonce and more to clinch the coveted Album of the Year award at the 2023 GRAMMYs.
The former One Direction member won for his 2022 smash-hit third solo album Harry’s House.
On what was a record-breaking night for the US Recording Academy and in the music world as a whole, Harry Styles claimed the somewhat shocking win for Album of the Year, an award which is largely-considered to be the biggest win of the night.
It's safe to say that at the 65th GRAMMY Awards, he fought off some tough competition for the trophy.
Beyoncé, Adele, Kendrick Lamar, and Lizzo were just some of the heavy-hitting names that the British lad beat out to take home to beat the title.
The 29-year-old called making the album the “greatest experience” of his life.
“I’ve been so, so inspired by every artist in this category with me at a lot of different times in my life,” Styles gushed as he accepted the award on stage alongside the album’s producers, “I think, like on nights like tonight, it’s obviously so important for us to remember that there is no such thing as best in music.”
Styles added: “This doesn’t happen to people like me very often and this is so, so nice.”
The coveted Album of the Year title isn’t the only award Styles took home from last night’s ceremony, as the the celebrated singer and actor also won Best Pop Vocal Album too.
Styles was just one of several Brits who won big last night.
Singing superstar Adele took home the Best Pop Solo Performance trophy to add to her ever-growing GRAMMYs collection, while previous multi-award winner Sam Smith took home the Best Pop Duo Performance for the song Unholy, alongside Kim Petras – who became the first transgender woman to win the award.
Isle of Wight indie rock duo Wet Leg took home both Best Alternative Album for their self-titled album and Best Alternative Music Performance for the smash-hit single Chaise Longue after their breakout year in 2022.
Ozzy Osbourne also clinched the win for Best Rock Album.
One of the most surprising wins of the night, though, came as for 73-year-old blues singer Bonnie Raitt beat the likes of Adele, Beyonce, Styles, Lizzo, and Taylor Swift to win the award for Song of the Year for her single Just Like That.
The Wombats aren’t just still going strong - they’re getting better. And honestly? Long may they reign.
The Wombats absolutely tore the roof off the First Direct Arena in Leeds last night, Wednesday 26 March and what a night it was.
From the second they hit the stage it wasn’t just a gig, it was a full-blown indie-pop spectacle, packed with infectious energy, nostalgia, and a whole lot of dancing.
They kicked things off with “Moving to New York,” and honestly? The crowd was in from the first note.
Image: The Hoot Leeds
Matthew Murphy’s unmistakable vocals rang through the arena and suddenly, thousands of people were screaming every lyric like it was 2007 all over again. It was one of those moments where you could just feel how much this band still means to people.
Despite the massive venue, The Wombats somehow made it feel intimate. The lights? Pure chaos in the best way - vibrant, colourful, and totally in sync with the band’s wild, bouncy sound.
Murphy’s cheeky banter between songs made it feel less like a polished arena show and more like a jam session with a few thousand of your closest mates.
Setlist-wise, they nailed it. “Let’s Dance to Joy Division” and “Greek Tragedy” had the whole place losing it, while the stripped-down version of “Techno Fan” gave everyone a minute to breathe (and maybe get a little emotional).
Image: The Hoot Leeds
Those quieter moments just made the high-energy choruses hit even harder. It was a rollercoaster - in the best way possible.
Then came the encore. If you thought the crowd was loud before, “Kill the Director” took things to another level. Pure, chaotic indie bliss. The kind of moment you don’t want to end.
Here’s the thing about The Wombats: some might say their older songs hit harder than their newer stuff, but is that just nostalgia talking? Or maybe it’s a generational thing?
Either way, they proved they’re still one of the most exciting live bands out there. They’ve still got the hooks, the humour, and the ability to turn a massive arena into a sweaty, euphoric singalong.
Mumford & Sons add new Leeds show at the First Direct Arena to sell out UK tour
Clementine Hall
Two new arena dates have been added to their forthcoming UK tour, after selling out the entire run within two hours.
Ahead of dropping their fifth studio LP Rushmere at the end of the month, the cult favourite folk-rock outfit announced a brand-new European tour in support of the record, including a limited UK leg.
The now sold-out arena run starts in Europe in November before now arriving in Leeds on Sunday 30 November.
The significance of the band’s return can be found in the title of the new album, as Rushmereis the spot where it all began for the boys: a pond located on Wimbledon Common in south-west London where Marcus Mumford, Ben Lovett and Ted Dwane first hung out.
However, the multi-award-winning acoustic-driven British rockers and folk revivalists are now a trio following the departure of Winston Marshall, who quit the band back in 2021 following controversies surrounding his right-wing beliefs.
Image: Supplied
With that in mind, it’s rather fitting that they have insisted that beyond just a place and a title, Rushmere is alsothebeginning of a new phase.
Following an intense period of creativity, the project was produced by fellow nine-time Grammy winner Dave Cobb and recorded at the famous RCA Studio A in Nashville, as well as in Savannah, Georgia and back home at Marcus’ studio in Devon.
The album itself drops on this Friday 28 March and judging by the little that we’ve heard so far, they’ve been well worth the wait.
As for the arena show, tickets will go on sale this Thursday 27 March at 10am.
Best of all, they’re donating £1 from every ticket sold straight to War Child UK – this sort of stuff should be standard for any big act as far as we’re concerned.
The Hoot -
6th February 2023 
