If there's anyone that knows a thing or two about music, it's Crash Records.
2023 has been a huge year - but nobody knows the ins and outs of the city better than the independent businesses that keep the cogs whirring - and so rather than us telling you what's been going on this year, we've reached out to five different small business owners to give us the lowdown on 2023.
With three decades of Leeds and industry knowledge under its belt, Crash has remained a constant throughout it all: lockdowns, turn of the century and has seen more changes to the city centre than most of us could imagine.
So it only feels right to see what 2023 has meant to the long-standing store and quiz the team on the intimate signings, gigs and festivals that have made up the year, as well as some new bands to listen out for in the new year.
Matthew from Crash Records kindly took the time to tell us what 2023 meant to Crash, keep reading to find out what this year has had in store...
It’s been one heck of a year! What have you been up to? Tell us about any major events, exciting moments etc.
It's been a non-stop year for us and we've enjoyed every second of it! We've been blessed with great customers and great music. Exciting moments for me include the rush of Record Store Day, a day dedicated to celebrating independent record stores with limited releases available first over the counter only. It's always amazing to see so many people queuing down the street before we've even opened!
We've also had the pleasure of hosting some great bands in-store, around Leeds and across the country with our album launch shows. Even setting up shop at Temple Newsam for Live at Leeds and Slam Dunk weekend and Baldersby Park for Deer Shed Festival, giving fans the opportunity to meet their favourite artists from the festival and leaving with bags full of records!
What was one highlight from 2023 that you’ll always remember?
A personal highlight for me was setting up our Next Big Thing feature, giving up and coming artists a platform to showcase their music to our audience of music lovers. The initial response was unbelievable to me with over 100 artists applying and many more since then. It's such an important thing to support music on all levels and as a record shop we are very lucky to be in a position where we can help new artists in sharing their music.
What are you looking forward to in 2024?
2024 is already looking strong with early releases from The Last Dinner Party, Courting and Yard Act that I'm personally very excited for! As with every year I have no worries that 2024 won't be filled with great music and gigs for everyone!
What new artists should we look out for in 2024?
If you're on the lookout for new artists I'd keep a keen eye on the Next Big Thing, we post a new artist every Saturday across our socials. I've loved all of our featured artists but a few personal favourites of mine so far have been Coal Mob, Allora and Static Caravan, you should definitely give them all a listen! And maybe try my own band, Mince ;)
Where is one place that people should go and visit next year?
If I had to pick just one place in Leeds it would have to be the good ship, Oporto. Sit back with a pint of Cowbell and enjoy a well deserved rest after 2023!
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No Greek Tragedy, just indie bangers – The Wombats set Leeds’ First Direct Arena alight
The Wombats aren’t just still going strong - they’re getting better. And honestly? Long may they reign.
The Wombats absolutely tore the roof off the First Direct Arena in Leeds last night, Wednesday 26 March and what a night it was.
From the second they hit the stage it wasn’t just a gig, it was a full-blown indie-pop spectacle, packed with infectious energy, nostalgia, and a whole lot of dancing.
They kicked things off with “Moving to New York,” and honestly? The crowd was in from the first note.
Image: The Hoot Leeds
Matthew Murphy’s unmistakable vocals rang through the arena and suddenly, thousands of people were screaming every lyric like it was 2007 all over again. It was one of those moments where you could just feel how much this band still means to people.
Despite the massive venue, The Wombats somehow made it feel intimate. The lights? Pure chaos in the best way - vibrant, colourful, and totally in sync with the band’s wild, bouncy sound.
Murphy’s cheeky banter between songs made it feel less like a polished arena show and more like a jam session with a few thousand of your closest mates.
Setlist-wise, they nailed it. “Let’s Dance to Joy Division” and “Greek Tragedy” had the whole place losing it, while the stripped-down version of “Techno Fan” gave everyone a minute to breathe (and maybe get a little emotional).
Image: The Hoot Leeds
Those quieter moments just made the high-energy choruses hit even harder. It was a rollercoaster - in the best way possible.
Then came the encore. If you thought the crowd was loud before, “Kill the Director” took things to another level. Pure, chaotic indie bliss. The kind of moment you don’t want to end.
Here’s the thing about The Wombats: some might say their older songs hit harder than their newer stuff, but is that just nostalgia talking? Or maybe it’s a generational thing?
Either way, they proved they’re still one of the most exciting live bands out there. They’ve still got the hooks, the humour, and the ability to turn a massive arena into a sweaty, euphoric singalong.
Mumford & Sons add new Leeds show at the First Direct Arena to sell out UK tour
Clementine Hall
Two new arena dates have been added to their forthcoming UK tour, after selling out the entire run within two hours.
Ahead of dropping their fifth studio LP Rushmere at the end of the month, the cult favourite folk-rock outfit announced a brand-new European tour in support of the record, including a limited UK leg.
The now sold-out arena run starts in Europe in November before now arriving in Leeds on Sunday 30 November.
The significance of the band’s return can be found in the title of the new album, as Rushmereis the spot where it all began for the boys: a pond located on Wimbledon Common in south-west London where Marcus Mumford, Ben Lovett and Ted Dwane first hung out.
However, the multi-award-winning acoustic-driven British rockers and folk revivalists are now a trio following the departure of Winston Marshall, who quit the band back in 2021 following controversies surrounding his right-wing beliefs.
Image: Supplied
With that in mind, it’s rather fitting that they have insisted that beyond just a place and a title, Rushmere is alsothebeginning of a new phase.
Following an intense period of creativity, the project was produced by fellow nine-time Grammy winner Dave Cobb and recorded at the famous RCA Studio A in Nashville, as well as in Savannah, Georgia and back home at Marcus’ studio in Devon.
The album itself drops on this Friday 28 March and judging by the little that we’ve heard so far, they’ve been well worth the wait.
As for the arena show, tickets will go on sale this Thursday 27 March at 10am.
Best of all, they’re donating £1 from every ticket sold straight to War Child UK – this sort of stuff should be standard for any big act as far as we’re concerned.