Lewis Capaldi has cancelled all of his upcoming commitments, including an intimate show in Leeds, up until his Glastonbury slot.
The Scottish singer-songwriter said that he needs to take some time to 'rest and recover' with his friends and family.
He wrote in an apologetic message shared on social media that his busy promo schedule for his latest album, Broken By Desire To Be Heavenly Sent, has been 'full on both mentally and physically'.
Lewis, who is almost as well-known for his brilliant sense of humour as for his chart-topping music, added that he's 'struggling to get to grips with it all'.
He announced that he wanted to be at his best for Glastonbury, and so is calling off all of his upcoming commitments.
That also includes his incredibly intimate show at The Wardrobe in Leeds, which was due to take place on Tuesday 6 June 2023.
Only ticket-holders for Reading & Leeds Festival, of which Lewis is a headliner, had access to tickets for the exclusive show this week.
Taking to Instagram, Lewis wrote: "Hi everyone, hope you're well. This is a really difficult message, and one that hurts me a lot to have to type, but I'm really sorry to say that I'm going to have to cancel all commitments from now until I play Glastonbury on June 24th.
"It's been such an incredible time leading into this new album, and seeing all of the support from everyone has been beyond anything I could have ever dreamed of. That said, the last few months have been full on both mentally and physically, I haven't been home properly since Christmas and at the moment I'm struggling to get to grips with it all.
"I need to take a moment to rest and recover, to be at my best and ready for Glastonbury and all of the other incredible shows coming up so that I'm able to continue doing what I love for a long time to come. I need to take these three weeks to be Lewis from Glasgow for a bit, spend some time with my family and friends and do normal life things that are an important part of me feeling better. I hope everyone understands.
"I know many of you will have spent money on travel or hotels, which I appreciate more than ever with how difficult things are economically at the moment, so I'm extremely sorry for the impact this will have. The fact you're willing to come out and spend your time, money and love on these shows is beyond comprehension and I feel incredibly lucky. I'm getting all the help and support I need from the incredible people around me who I'm so grateful for.
"I take none of this for granted and can't wait to be back doing it again. All my love Lewis x"
Featured image: Alexandra Gavillet
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No Greek Tragedy, just indie bangers – The Wombats set Leeds’ First Direct Arena alight
The Wombats aren’t just still going strong - they’re getting better. And honestly? Long may they reign.
The Wombats absolutely tore the roof off the First Direct Arena in Leeds last night, Wednesday 26 March and what a night it was.
From the second they hit the stage it wasn’t just a gig, it was a full-blown indie-pop spectacle, packed with infectious energy, nostalgia, and a whole lot of dancing.
They kicked things off with “Moving to New York,” and honestly? The crowd was in from the first note.
Image: The Hoot Leeds
Matthew Murphy’s unmistakable vocals rang through the arena and suddenly, thousands of people were screaming every lyric like it was 2007 all over again. It was one of those moments where you could just feel how much this band still means to people.
Despite the massive venue, The Wombats somehow made it feel intimate. The lights? Pure chaos in the best way - vibrant, colourful, and totally in sync with the band’s wild, bouncy sound.
Murphy’s cheeky banter between songs made it feel less like a polished arena show and more like a jam session with a few thousand of your closest mates.
Setlist-wise, they nailed it. “Let’s Dance to Joy Division” and “Greek Tragedy” had the whole place losing it, while the stripped-down version of “Techno Fan” gave everyone a minute to breathe (and maybe get a little emotional).
Image: The Hoot Leeds
Those quieter moments just made the high-energy choruses hit even harder. It was a rollercoaster - in the best way possible.
Then came the encore. If you thought the crowd was loud before, “Kill the Director” took things to another level. Pure, chaotic indie bliss. The kind of moment you don’t want to end.
Here’s the thing about The Wombats: some might say their older songs hit harder than their newer stuff, but is that just nostalgia talking? Or maybe it’s a generational thing?
Either way, they proved they’re still one of the most exciting live bands out there. They’ve still got the hooks, the humour, and the ability to turn a massive arena into a sweaty, euphoric singalong.
Mumford & Sons add new Leeds show at the First Direct Arena to sell out UK tour
Clementine Hall
Two new arena dates have been added to their forthcoming UK tour, after selling out the entire run within two hours.
Ahead of dropping their fifth studio LP Rushmere at the end of the month, the cult favourite folk-rock outfit announced a brand-new European tour in support of the record, including a limited UK leg.
The now sold-out arena run starts in Europe in November before now arriving in Leeds on Sunday 30 November.
The significance of the band’s return can be found in the title of the new album, as Rushmereis the spot where it all began for the boys: a pond located on Wimbledon Common in south-west London where Marcus Mumford, Ben Lovett and Ted Dwane first hung out.
However, the multi-award-winning acoustic-driven British rockers and folk revivalists are now a trio following the departure of Winston Marshall, who quit the band back in 2021 following controversies surrounding his right-wing beliefs.
Image: Supplied
With that in mind, it’s rather fitting that they have insisted that beyond just a place and a title, Rushmere is alsothebeginning of a new phase.
Following an intense period of creativity, the project was produced by fellow nine-time Grammy winner Dave Cobb and recorded at the famous RCA Studio A in Nashville, as well as in Savannah, Georgia and back home at Marcus’ studio in Devon.
The album itself drops on this Friday 28 March and judging by the little that we’ve heard so far, they’ve been well worth the wait.
As for the arena show, tickets will go on sale this Thursday 27 March at 10am.
Best of all, they’re donating £1 from every ticket sold straight to War Child UK – this sort of stuff should be standard for any big act as far as we’re concerned.